" If MTV is any indication, the face of rock'n'roll needs plastic surgery. Sure, Britney's got a hot belly and Beyoncé a glorious booty, but sex is this close to selling itself out. Soon, people will be demanding money shots in their milk commercials. Where's an intelligent consumer to find imagery that both tickles the brain and plugs one into popular culture?

Try Paul Grushkin and Dennis King's Art of Modern Rock, which showcases in full color more than 1600 rock posters and flyers by some 200 international artists, from veterans like Frank Kozik to up-and-comers à la Leia Bell. More than a sequel to Art of Rock (Abbeville, 1987) Grushkin's best-selling survey of psychedelic posters from the 1960s and 1970s this is the definitive document of a tens-of-thousands-strong countercultural revolution that began in the late 1980s with the grunge movement and continues today from New York City to San Francisco to...Des Moines and Denton, TX?

"Wherever there's a 'kid' a teenager, a twentysomething, or even a thirtysomething who is on the cutting edge of music there's someone cranking out posters," Grushkin asserts.

In fact, more rock posters have been made in the last ten years than in the history of rock'n'roll. To hear Grushkin tell it, this explosion has to do with how today's teenagers access music, i.e., without seeing great LP art, as Grushkin did in his youth, and, increasingly, without walking into a music store. With MP3 looming large, "the art that always defined your relationship to the music" is disappearing.

In the spirit of the hippies, punks, and alternative rockers before them, young music fans have been filling the void themselves. Via the Internet, these kids track their favorite bands as they tour and call up promoters about doing posters for shows. While some may go digital, many still rely on the old-school (read: cheap) silk-screen method, which King who holds one of the largest rock poster collections in the world credits with starting the poster revolution.

"It's almost political: all these people realizing that they have the power to create and disseminate their own imagery," he says.

The insane eclecticism of the featured artists called for a thematic organization; readers will witness the many incarnations of that rock poster staple, the devil, for instance. Heightening the effect is King's clever layout, which mimics both a gallery wall and a web site. The final product is a pastel-cum-Day-Glo gem that will make music fans into art fans and vice versa."
- Heather McCormack